In the martial arts world we often tout the practice of forms (poomsae, kata, etc) as a means to hone techniques for self-defense and fighting. But have we ever thought about reversing the practice? How can we use our striking, kicking, and sparring practice to power up our poomsae game?
I can win a game of pool, but I’m not very good at starting one. Let’s just be real–I’m terrible at breaking. I can never seem to get enough power to create a smooth and clean strike. More often than not, the cue ball barely moves the rack of balls, and sometimes I end up scratching. The last time I did a decent break had more to do with the extra-smooth surface of the table I was playing on than any of my technique.
The Poomsae Series is back! I wasn’t sure I’d be able to write individual posts for the Taeguk forms I’ve been learning (I was trained in Palgwe at my old dojang), but they’ve grown on me in the past few weeks. I’ve started to appreciate the individual experiences of learning and practicing the forms rather than just memorizing movements as part of a set. Now that I’ve gotten to know the forms better I can experience them and express them on a deeper level.
This past week I learned my final form of the Taeguk collection (gotta catch em all!) and the thirtieth in my overall repertoire. On Tuesday one of my instructors walked me and another much younger black belt through Taeguk Yuk Jang (6), and to be honest, we were all a little turned around. This form amps up the challenge to anyone trying to learn or re-learn it, even for those familiar with the Taeguk patterns. Continue reading “Taeguk 6 – Can We Pause For a Change Revisited (The Poomsae Series Part 15)”→
“Your form looks REALLY good,” said B, a sweet, friendly and very tenacious blue belt/red stripe during a break in her taekwondo class. She added an emphatic nod and I smiled and bowed in her direction.
I had shown up early to the dojang to warm up and practice forms while I waited for the later class to begin. I usually try to get there about 40-45 minutes early partially to warm up my otherwise fairly sedentary body (thank you, office job that pays for my taekwondo classes) and to practice the 29 forms I had committed to memory. Practicing forms is a great way to shift my mental and physical focus from the outside world and the rest of my life into the pure taekwondo black belt zone. It was nice to know that my efforts had not gone unnoticed. Continue reading “When You Love What You Do, You Do It Well (Whether You Think So Or Not)”→
A little bit of history about poomsae (forms): The preference for Taeguk rose alongside the focus of taekwondo turning to sport taekwondo, or Olympic style sparring. Stances are higher and shorter, and the movements are much simpler than the Palgwe forms. I also think some practitioners just didn’t want to associate with the similarity Palgwe forms had with karate and in turn the unpleasant history Korea shared with Japan. But what do I know.
I’m officially a second degree black belt now, and that means with a new rank I have a new form and a new addition to the Poomsae Series! Yay! Enjoy!*
“It’s like a recap since there are a lot of pieces from Palgwe forms,” my chief instructor said one day when we were discussing the second dan black belt form Taebaek. “Now you’re second degree,” he continued hypothetically, “So let’s make sure you remember all your old color belt forms.”
“Um…” A tall teenage yellow belt tentatively raised his hand. I had just walked him and his fellow yellow belts through their new form, Palgwe Il Jang. As newly promoted students they had just started learning this form and were still getting the hang of it.
“Isn’t the middle part supposed to be this?” He stepped into a back stance and did a double knife-hand high block.
“Ah yes it is! Thank you for pointing that out! Sorry about that, guys. Black belts make mistakes too!” I said with a laugh. Apparently I had told them to do a low block in a front stance rather than the correct move, a double knife-hand high block in a back stance.
Nothing, and I mean nothing has helped me practice presence better than taekwondo. This month I go all hippie in the dojang and discuss how the martial arts student can use their poomsae, kata, or other type of form to quiet the mind, focus the body, and ultimately improve their practice.
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Sometimes, for reasons that make sense and just as often for reasons that don’t, I get sad. The feeling can overtake me in a flash. It’s not dissimilar from the Texas storms that mark the beginning of spring (and more pointedly, tornado season): suddenly the sky turns greyish-green, the tornado sirens are wailing, the rain starts pounding sideways, and the household lights flicker. It can be terrifying and paralyzing, and then just as quickly as it began, it’s over.
Recently I was hit with one of those emotional “rain squalls” and found myself hunched at my dining table with my head in my hand and tears streaming silently down my face. It just happened, and while I knew it wasn’t for a rational reason, I gave in and let it take over for a few minutes. I knew it would pass, but it was agonizing.
Then I popped up out of the chair and did something I’ve never done before when I’ve been upset and overwhelmed: