I can win a game of pool, but I’m not very good at starting one. Let’s just be real–I’m terrible at breaking. I can never seem to get enough power to create a smooth and clean strike. More often than not, the cue ball barely moves the rack of balls, and sometimes I end up scratching. The last time I did a decent break had more to do with the extra-smooth surface of the table I was playing on than any of my technique.
Come to think of it, I could never get the hang of serving in a tennis match either. Sure, I could chase after the ball and lob it over the net, but starting the game on a strong note always seemed to elude me.
Why is it that sometimes starting something is more difficult than finishing it? I am very organized in my job and love completing tasks. I love making lists, not only to keep track of what I need to do, but also for that sense of satisfaction when I cross them out. But I occasionally find myself sitting at my desk feeling totally unmotivated to do what I know (and have spelled out) what needs to be done. Eventually I get to work, but making that first step can be more difficult than making the final one.
Is it not knowing how to start or is it plain old procrastination?
Finishing strong is important, but so is starting strong. When I was teaching poomsae (taekwondo forms) I would sternly tell my students that their ready stance (legs straight with toes forward, strong fists in front of the belt) was just as important as the rest of the form. I didn’t want to see any dead, glassy eyes, limp hands, or duck feet. If they went to tournaments the judges would most certainly be looking a that. Our beginning stance is our first impression. Focus and determination happen when you’re standing still.
Maybe finishing a task is easier because we’ve had some time to build confidence from our successes. We’ve had a chance to try things out, maybe even learn from our mistakes. Maybe the expectations on ourselves are too high at the beginning. We think there won’t be any mistakes or setbacks. We don’t think we’ll lose the game. Going into the unknown is scarier than conquering the familiar.
I don’t think I have the final solution to this conundrum, even as a VERY CLEAR (and impatient) “J” in the Myers-Briggs world. It can be helpful, if time allows it, to ease into tasks. Drink some coffee, journal, catch up on news, do whatever pleasant distractions you need to do to get them out of your system. Procrastination happens to everyone, and sometimes the best thing to do is just get it out of your system.
After a little while of working on a task, I find myself picking up momentum and completing what I’d been dreading getting started. This happens a lot with writing projects at work. I feel like I have writer’s block, but after I force myself to get started without the high expectation of finishing it immediately I churn out something that’s pretty good. Letting myself relax when I get started (but with focus and determination) often leads to a strong finish.
So maybe that’s the key–just relax and start. Do SOMETHING. Do ANYTHING. And try to do it well. Trust yourself to do it well. You’ll get to the end in no time.
The Poomsae Series is back! I wasn’t sure I’d be able to write individual posts for the Taeguk forms I’ve been learning (I was trained in Palgwe at my old dojang), but they’ve grown on me in the past few weeks. I’ve started to appreciate the individual experiences of learning and practicing the forms rather than just memorizing movements as part of a set. Now that I’ve gotten to know the forms better I can experience them and express them on a deeper level.
This past week I learned my final form of the Taeguk collection (gotta catch em all!) and the thirtieth in my overall repertoire. On Tuesday one of my instructors walked me and another much younger black belt through Taeguk Yuk Jang (6), and to be honest, we were all a little turned around. This form amps up the challenge to anyone trying to learn or re-learn it, even for those familiar with the Taeguk patterns.
As I did with other Taeguk forms, I first tried teaching myself Taeguk 6 with YouTube videos and reassuring myself that I’d get detailed corrections from my instructors in class.
Learning this form via video was a big NOPE for me. I knew IMMEDIATELY that I would need step-by-step help with Taeguk Yuk Jang. After unsuccessfully trying to follow what I saw in the video, I closed my YouTube app and planned on asking an instructor to teach me that form the first opportunity I had.
I like this form for its sheer weirdness. The lower level Taeguks seem to build on each other, and then right when you get comfortable there’s this funky form that blows everything up. This short but complicated form yanks you out of the trusty floor pattern and throws in weird blocks, roundhouse kicks (which are seen nowhere else in Taeguk or anywhere in Palgwe), and funny directional changes…kinda like some of the higher level black belt forms. And then, as if it were a dream, you get back to a sense of normalcy with Taeguks 7 and 8.
You literally pause in the middle of this form. It’s like you’re stopping, assessing where you are in space, and then figuring you might as well get back into the weirdness and work your way through to the end, first retracing your steps and then changing your path entirely. Taeguk Yuk Jang is not quite the mindf*ck that Keumgang was the very first time I was taught that form, but it is a delightfully frustrating puzzle of a poomsae.
Like Palgwe Yuk Jang, its Taeguk sister denotes a change in level and responsibility for the taekwondo student. After this form you are no longer beginner or intermediate. You are advanced, and that comes with a new set of expectations. Things are getting REAL. Red belt, like Ned Stark’s proverbial Winter, is coming.
When I did my meditation on the form Palgwe Yuk Jang I had the same experience learning it as I did more recently with the Taeguk form: everything seemed comfortable and normal in the beginning, and then BAM! Part of life is acknowledging that things change, and I am changed by experiencing this form. Both Yuk Jang forms have pauses, changes, and offer new perspectives.
I offer the same sentiment about Taeguk Yuk Jang that I did for Palgwe Yuk Jang: “A pause can be a moment of decision and a precursor to change. Those frozen moments in time, whether it’s a second or a year, allow us to examine the facts, listen to our deeper intuition, and choose the next step, whether it is continuing on the same path or foraging a new one entirely.”
“Your form looks REALLY good,” said B, a sweet, friendly and very tenacious blue belt/red stripe during a break in her taekwondo class. She added an emphatic nod and I smiled and bowed in her direction.
I had shown up early to the dojang to warm up and practice forms while I waited for the later class to begin. I usually try to get there about 40-45 minutes early partially to warm up my otherwise fairly sedentary body (thank you, office job that pays for my taekwondo classes) and to practice the 29 forms I had committed to memory. Practicing forms is a great way to shift my mental and physical focus from the outside world and the rest of my life into the pure taekwondo black belt zone. It was nice to know that my efforts had not gone unnoticed.
B and I go way back. She was a student at my old dojang until yellow belt. She was tiny, fierce, and serious. She LOVED our previous Master’s stern style of teaching and attention to detail and followed his every precise move with her big brown eyes. Eventually she warmed up to me too, ha ha. B transitioned to our new school in early 2018 and was thriving at tests and tournaments. I finally followed her to our new taekwondo home at the end of the year. Back to our conversation…
“Thanks, B,” I said, shaking her hand after our bow. “I was doing Palgwe Yi Jang. Remember that? It’s the second form you learned when you were a yellow belt.” I did a quick high block/kick/punch combo to jog her memory. Secretly I was very pleased that she took the time to observe, pass judgment, and give me feedback on my form. Black belts are students too.
“Oh yeah,” she said with a laugh. “I kind of remember it.” I gave her the standard black belt instructor you-should-be-practicing-all-your-forms-including-the-Palgwes-you-remember lecture and sent her back to her class.
I have no idea what form B thought I was doing. Maybe she thought I was doing a higher level Taeguk form that she hadn’t learned yet. Maybe she thought I was doing a black belt form. I was even caught off guard a little that she was impressed by what was seemingly a “simple” form.
Then I realized how sharp her eye was. Whatever I was doing, B thought I was doing it well. The thing is, I wasn’t trying to “look good.” I was just doing a form the way I do forms–taking it seriously and giving it my best effort. It didn’t matter that it was a low level color belt form. It didn’t matter that it wasn’t a form that is currently taught at my new dojang. It didn’t matter whether anyone was watching. I love doing forms, and apparently the love shows.
There are all things we naturally do well. Sometimes we like doing them, and other times we do things (well) out of obligation. You can tell when someone is doing something they love. They seem at ease, relaxed, happy. They’re charming and impressive. They draw us in with their charisma. It’s nice once in a while to get an outsider’s perspective, that fresh set of eyes watching us when we do something we love. It’s a snapshot in time of being in our element, of being the highest version of who we really are.
We won’t always have the watchful eyes of a child or a friend or loved one when we do the things we love. That’s the time to appreciate, revel in the moment, and let yourself be fully immersed in doing something that just feels so damn good.
A little bit of history about poomsae (forms): The preference for Taeguk rose alongside the focus of taekwondo turning to sport taekwondo, or Olympic style sparring. Stances are higher and shorter, and the movements are much simpler than the Palgwe forms. I also think some practitioners just didn’t want to associate with the similarity Palgwe forms had with karate and in turn the unpleasant history Korea shared with Japan. But what do I know.
I don’t like Taeguk forms, but it seems like the rest of the taekwondo world does, and if I want to continue my career as a black belt, instructor, and potential poomsae competitor I’ll have to put them into my repertoire at some point. I mean, white zinfandel is loved by lots of people for some reason even though it’s terrible. But it’s popular enough that I have to deign to walk by it in every grocery or liquor store. White zinfandel is cheap, common, but does the job if you need to get buzzed.
I need some more poomsae stimulation. The 22 forms I know just aren’t enough to get me high (We have an eight-pack of keebons my grandmaster created in case ya’ll are trying to count. Plus four black belt forms and the outliers “Koryo One” and Nopei). I’m a poomsae-aholic. I need that buzzzzzzz of a fresh form. Guess I might as well open up my mind and learn a whole new set.
The business of taekwondo is becoming more and more like a corporation. There are more hoops that coaches, referees, school owners, and instructors have to jump through. If USAT or Kukkiwon decides everyone is going to dye their hair purple and kick while standing upside down, then by God we’d better all do it, and for a fee we have the privilege to be certified in purple hair and upside down kicking. I know the intention is consistency, and we all appreciate that, but when does too much control in the name of consistency impeded individual talent?
And wouldn’t you know, I’m experiencing some of this encouragement to conform in other areas of my life. The department I work in has greatly widened its reach across my large company, and understandably, the powers that be are trying to systemize processes and standardize services. My little team of experienced and creative consultants can no longer make completely autonomous decisions in our little princedoms. Services we deliver must be approved, sanctified, and tracked. It makes sense, but sometimes the red tape can blind us to the immediate and unique needs of our clients.
On the flip side, I do appreciate a more structured approach to what my team does. I don’t feel pressured to say yes to every request, and I don’t have to create everything from scratch. I get what I bargain for by working for a large organization: a nice salary with great benefits, and I have to play along with the decisions that are made. I can live with that.
I’m pretty open about my Palgwe snobbery. #sorrynotsorry. Palgwe forms are intricate, beautiful, strong, and pretty badass when it comes to self-defense. I think Taeguk forms, on the other hand, are boring and unnecessarily illogical. Why yes, of course when I turn to face an opponent who’s coming at me from my blind left side I’m going to block with my BACK HAND while leaving my torso open even though my little right arm is too short to effectively reach whatever kick or hand strike is coming towards me. Oh my goodness it makes perfect sense. And I feel so stable in this walking stance, which one of my masters used to call “broken knee stance.” Why, I feel like I could kick or jump out of the way or…wait, no I don’t.
My students still do Palgwe forms at tournaments. Sometimes they win gold because technique speaks for itself no matter what style of form they’re doing (I’ve seen plenty of crappy snap kicks in both styles), and other times they are at the mercy and bias of judges who are openly anti-Palgwe. I’ve been told by other instructors, judges, and referees that we need to change our ways at our dojang if we want to have any chance of doing well at tournaments. For now though it seems we’ll be that rogue school sticking with Palgwe because (1) tradition, duh (2) they’re excellent for teaching self-defense (3) my Korean grandmaster has over 60 years of experience, so I’m good with his direction and (4) Palgwes look really cool, and I feel like a gangster when I go all out with them.
Okay, okay, I’ll give you this: I do find myself standing taller when I spar than when I’m doing other taekwondo-y stuff (but not with completely straight legs). And during sparring I do end up doing some weird instinctual blocking based on whatever is flying at my body or my head. But look, I’m 5’3” and have zero interest in nor the build for sport taekwondo. I’m looking for practical ways to beat the crap out of someone, and Palgwes provide a good opportunity to practice that. And when I’ve taught forms I’ve been able to make references between those forms and sparring on many occasions. But that’s just me, that’s just my style. I like the way I do things, and I’m good at it.
Same thing at work. Sometimes I go rogue. I can’t wait on my “USAT” to make a long drawn-out decision when I have “students” who need my help right now. I have to rely on what I know, what my strengths are, and what I think is best for the people I serve. But, as with the politicized realm of taekwondo, I have adapt to the balance of what I can do as a creative individual and what the needs and direction are of my organization. I have to rely on others rather than being completely independent, and I have to adjust to new processes. My ultimate goal is helping people through the work I do and making as much money as I can to support myself (hey, I’m an independent woman, and that involves looking out for number One)…so I can play nice. The work I do is not life-saving (I leave my clients to do that) so it’s not worth worrying about.
I can still be me, but I have to also be very good at playing the political professional game and drinking the “company white zinfandel.” (And as a side note, “drinking the Kool-Aid” is such a horrible, morbid, and overused reference. Real people died. Let’s lose that expression and stick with white zinfandel.) I’m looking at it as a learning experience, an interesting challenge, and something I might as well get good at if I want to keep up with the changing times.
I’m officially a second degree black belt now, and that means with a new rank I have a new form and a new addition to the Poomsae Series! Yay! Enjoy!*
“It’s like a recap,” my chief instructor said one day when we were discussing the second dan black belt form Taebaek. “Now you’re second degree,” he continued hypothetically, “So let’s make sure you remember all your old color belt forms.”
“More like a clip show like on TV,” I countered. “They’re too lazy to make new material, so they just put a bunch of random old stuff together.”
I was marveling at the fact that Taebaek, the form we at my dojang learn as a second degree black belt, seemed so much easier to learn and seemingly less complicated than the two first dan forms, Koryo and Keumgang (Some teach Keumgang at second degree, Taebaek at third, etc. We do things a little differently). I’d heard my instructor for a long time claim that Taebaek was a mash up of old Palgwe forms, but it never really resonated until I learned the form myself.
I actually learned this form last summer as a first degree black belt, and it all started as a joke wrapped in a dare. During class one night a second degree black belt, who always seemed to forget that he had to use the bathroom until about 10 seconds before break time was over, was absent from his spot in line.
“Go ahead, Melanie, fill in,” my instructor said, gesturing for me to take my place at the front of the class. “Now you’re second degree!”
“Cool! Does this mean I can learn Taebaek?” I giggled. To my surprise (and utter delight) he took me up on it about two weeks later and taught me and a fellow first dan the form. This was the first form I had ever been able to remember in its entirety the first day of learning it.
If this form is a clip show, it’s also a video game filled with fun “Easter eggs,” at least for certain taekwondo practitioners who still do the old school beautiful and complex Palgwe forms. It truly is a mishmash of a sweet new moves like breaking an arm, which is awesome, and many signature pieces of color belt Palgwe forms, which I know quite well. (I suppose it’s new to Taeguk practitioners. If you’re curious, look up videos of Palgwes Yuk Jang, Sah Jang, Pal Jang, and Oh Jang, and see if you can spot the shout outs.) Like Koryo, it follows the very familiar Palgwe sideways H pattern. Unlike Keumgang, it’s not a directional mindf*ck.
Taebaek starts out with a new move, a crossed knife hand block (I found it a bit drill team-y but went with it) followed by a familiar front snap kick and double punch. Okay, this is interesting. Then as you turn to the front–BAM!–the double knife hand high block/strike from Palgwe Yuk Jang. What!? YAASSSS, the form with flair! Okay, um, that was a pleasant surprise! Let’s keep going. There are a few more new pieces (and in slow motion too!) and then BAM!–the signature “crescent moon” double block of Palwge Sah Jang. Oooh, this is fun to revisit, and it comes with arm break, and a punch! Get it girl, let’s kick some ass in style!
Turning in a 90 degree angle and moving to the back is reminiscent of the block/spear hand combo in both Sah Jang and Pal Jang, and then oh snap, it’s that f*cking scissor block from Oh Jang! Aw, HELL no! I thought we were done with that awkward, needlessly complex blue belt form, but noooo, it just has to get in one more jab. Y’all, I can hardly contain myself. Maybe a nicer way to refer to this form than clip show is homage.
Although Taebaek pulls heavily from lower level forms, it has a freshness and sense of humor to it. It’s a reminder that you don’t have to turn away from your roots when you want to keep growing. What got you to first degree won’t necessarily get you to second or third degree, but you can still draw on your experiences. It’s an opportunity to add black belt understanding to color belt principles. You don’t have to do away with who you are. Continue to draw on your good qualities, and just, well, turn it up a notch.
[*I actually composed this article last summer, but I didn’t want to jinx myself and post it before I got second degree…and then I learned that it’s usually a third dan form at other schools, and I’ve learned that one too already, so the hell with it, I’m writing an article on the third/fourth dan form Pyongwon. Stay tuned…]
This past weekend I attended a poomsae (forms) referee seminar sponsored by USA Taekonwdo, the national governing body for the United States Olympic Committee (USOC) and is a member of the World Taekwondo Federation. I’m not really interested in judging or refereeing at tournaments, but since forms are one of my favorite aspects of practicing taekwondo, I was curious enough to sign up.
I figured it would be good to know what judges were looking for so I could prepare our students (and myself) to compete in forms at the next tournament and just improve our daily practice in the dojang. Plus I get a little tired of always being on the facilitator side of training, so once in a while I like to be a participant and learn something new.
Oh my, the math and the details! I knew when we were handed a sample of the official scoring sheet that our brains were going to be spinning. We discussed accuracy and presentation (and the sub-categories of each), major deductions versus minor deductions, disqualifications, and rules for recognized forms versus freestyle forms. I didn’t realize how much and quickly forms judges need to react, calculate, and recalculate all within about a minute of a competitor performing a form.
The fun part began when the instructor began demonstrating details (both mistakes and what judges want to see) of kicks, blocks, strikes, and stances. “Is that a major or minor mistake?” he’d frequently ask. As the morning went on our answers were more confident, and we’d nod and smile in recognition. He then began performing combinations of forms and asked us to critique through the lenses of accuracy and presentation.
While the instructor used Taegeuk forms for most of the examples, which I am not familiar with (we practice the older, more traditional Palgwe forms at my dojang), he did make several references to the black belt forms Koryo and Keumgang, so I had light bulbs exploding over my head during those moments…if anyone saw me nodding and whispering “Ah-haaaa” while scribbling down notes it was probably during the Keumgang examples.
Did I not have a clue about accuracy or presentation during the Taegeuk combinations? Of course not. It turns out that technique is technique is technique, which I suspected all along. It’s not like the Taegeuk forms have completely different movements. A low block is a low block no matter where it falls in the form. Alignment, accuracy, tempo and rhythm, power…those are key elements we teach as well with our Palgwe forms.
And lest anyone think I’m cheating on my own home dojang instructors, I still defer to their teaching methods when I’m practicing my own forms or coaching another student. However, it’s nice to get an outsider’s perspective once in a while, even when I disagreed on some of the finer details. For a poomsae nerd like me, talking about nothing but forms for four hours was heaven.
Now to truly prove that one can use transferrable knowledge to a new situation (meaning, I can perform and judge a form blindly) I probably should have stayed for the second part of the day when the class was going to perform several Taegeuk forms. Technique is technique, right? I should just be able to learn and perform the form on the spot since I’m supposedly good at forms and pay a lot of attention to detail, right?
Well…yeah…but I opted out, mostly because I didn’t want to waste anyone’s time since I’d just slow down the process (everyone else knew the forms). I also knew my Koryo and Keumgang were different enough stylistically that I’d stand out if we did the black belt forms, and I happen to prefer my ways of doing Koryo and Keumgang. And…well…I had company coming that afternoon and figured opening a fresh bottle of wine would be a better use of my time.
I thanked the instructor, told him the lecture and demonstration portion was fabulous, and assured him that I could apply everything I learned that morning back in my home dojang. The seminar inspired me to refine my own forms practice even more, and it gave me some language and talking points to use when I give feedback to other students.
The moral of the story: seek out continuing education in whatever it is you love to do whether you’re feeling stale, looking for a new perspective, wanting to learn a new skill, or simply want to enhance and revitalize your practice.
“Um…” A tall teenage yellow belt tentatively raised his hand. I had just walked him and his fellow yellow belts through their new form, Palgwe Il Jang. As newly promoted students they had just started learning this form and were still getting the hang of it.
“Isn’t the middle part supposed to be this?” He stepped into a back stance and did a double knife-hand high block.
“Ah yes it is! Thank you for pointing that out! Sorry about that, guys. Black belts make mistakes too!” I said with a laugh. Apparently I had told them to do a low block in a front stance rather than the correct move, a double knife-hand high block in a back stance.
“Black belts have to practice too,” piped up a five-year-old, nodding his head gravely. I told him that once, and now he takes every opportunity to remind me.
To date I have learned 20 forms and even more self-defense techniques. As I’ve moved up in the ranks it’s become easier to store more complicated patterns and techniques in my body and brain, but once in a while all those forms swirling around in my head can lead to errors.
The thing is, I had no clue I had done the wrong thing until the student pointed it out. I didn’t question myself when I was leading the students through the form, nor did I hesitate when I changed directions and threw blocks and strikes. I was confident, damnit! My misplaced front stance and low block looked pretty darn good: my front knee was bent in a 90 degree angle, my back leg was straight and sturdy, my shoulders and hips were square, and I know that low block would have worked against an attack. It just wasn’t the correct step in the form. Oops.
I’m glad it happened. It not only showed me that I can still be confident when I mess up, but it also gave the teenage yellow belt a chance to speak up with confidence as well.
We all make mistakes. We screw up, forget things, do the opposite of what we intended, and that’s just part of being human. There’s no way around it. What helps is a dose of confidence. That’s not the same as arrogance. I don’t think I’m any better than the lower ranking students in class, and my job is to serve them, not the other way around. Confidence means you respect, love, and trust yourself and have a positive outlook on your own capabilities. There is SO much I still have to learn nearly two years into my gig as a black belt and so many fundamental techniques I need to tweak. Even when I screw up and do the wrong thing or teach the wrong thing, though, my heart is in the right place. I’m confident in my abilities and trust myself to do the right thing (most of the time).
If I don’t trust myself how can the students trust me?
You’re not always going to get it right (or heaven forbid, perfect) the first time. You still have to keep moving. In the martial arts world, sparring is the perfect laboratory for trying out new and different things—sometimes what you choose to do works, and other times it doesn’t, but you have to keep moving. Failure, whether big or small, can teach us valuable lessons we’d never gain if we stayed on a steady, unwavering, but also unchanging and kinda boring plateau forever. Mistakes are going to happen so you might as well brush it off and not let them rattle your confidence. If you fail, do it with grace and make your second (or third or fourth) attempt even stronger.
I still think my low block and front stance looked good.
Nothing, and I mean nothing has helped me practice presence better than taekwondo. This month I go all hippie in the dojang and discuss how the martial arts student can use their poomsae, kata, or other type of form to quiet the mind, focus the body, and ultimately improve their practice.
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Sometimes, for reasons that make sense and just as often for reasons that don’t, I get sad. The feeling can overtake me in a flash. It’s not dissimilar from the Texas storms that mark the beginning of spring (and more pointedly, tornado season): suddenly the sky turns greyish-green, the tornado sirens are wailing, the rain starts pounding sideways, and the household lights flicker. It can be terrifying and paralyzing, and then just as quickly as it began, it’s over.
Recently I was hit with one of those emotional “rain squalls” and found myself hunched at my dining table with my head in my hand and tears streaming silently down my face. It just happened, and while I knew it wasn’t for a rational reason, I gave in and let it take over for a few minutes. I knew it would pass, but it was agonizing.
Then I popped up out of the chair and did something I’ve never done before when I’ve been upset and overwhelmed:
Anyway, our Koryo One is a short but powerful and interesting form. It has eye punches and face smashes, and you can’t get much better than that in a form. Going through the form only took a minute or two, but I immediately felt better. The tears had dried, my breathing was steady, and my mind was calm. I decided to see what happened when I tried another one.
I did Koryo Two, or what is better known as the universal black belt form “Koryo,” and was especially forceful with the knee breaks and throat grabs. I played around with the timing and tried to incorporate some of the things I’d been tweaking earlier in the week in class.
Not bad. I was feeling a little better.
I kept going through a short list of my favorite forms that are especially strong and beautiful: Keumgang (yes, really, after all the confusion of learning, it I love it), Palgwe Chil Jang, and Palgwe Sah Jang.
As I was going through the forms I thought about the advice I had given some younger students the night before: “Make it look powerful. Don’t just walk through it; you’re in a fight. Make it POP!” I remembered how I demonstrated power to the students: as I was glaring at them out of the corner of my eye to make sure they paid attention, I lunged forward into a front stance and snapped my fists forward into a double gut punch. I let out a sharp exhale and imagined clocking someone in the sides. POP!
When my emotions tried to take over again, I fought harder against my invisible enemy. My blocks were strong, my kicks were sharp, and my transitions were smooth. I was light on my feet (mostly so I wouldn’t disturb my downstairs neighbors) and highly alert. There was no feeling of terror or paralysis as long as I was kicking my mind’s butt. The flash flood was over.
It felt appropriate to end my little cool-down session with Palgwe Pal Jang, a form that according to taekwondo tradition, symbolizes a return to earth and a sensation of becoming grounded. By the time I finished my set I even had a little smile on my face.
I stood still for a moment as my breathing slowed and realized that my mind was completely quiet. I didn’t feel drained as one might after a good long crying session. I felt more that I was cleansed. Out of curiosity I tried to muster up the stress and anxiety I had been feeling earlier, and I simply couldn’t. My mind was too quiet and empty to put forth the effort.
We do not have to become terrified or paralyzed when feelings of sadness, anger, stress, or fear loom over us like a storm cloud. We can observe the emotions for what they are (a passing storm), and let the rain wash through us as we stand strong. I regained my power through my forms. For others it might be prayer, meditation, a deep breath, or a long run that helps them refocus and regain a sense of calm. Whatever it is, find what grounds you, and stand strong.
Last night I went to the dojang for an extra day of practice, and it felt like I was finally turning a corner on what has been a weird, mentally foggy month spent in a dark exile of depression compounded by snacks, Netflix, and wine. I don’t know what the hell was up with March, but by the end of it I felt like wrapping myself in a blanket, shuffling around my home with all the blinds closed, and saying annoyingly morose poetic things like, “Now is the winter of my discontent.”
At the end of March I took a much-needed vacation to the east coast to spend some quality time with my boyfriend and get away from the daily grind. It was just what I needed to regain my curiosity, hone my focus, and pull me out of my shell…well, as much as someone like me can be pulled out of one’s shell. I kept hearing George Harrison singing in my ear: “Little darling, I feel that ice is slowly melting…here comes the sun!” And by that I mean the metaphorical lifting of my mood along with my optimism for the future, not just the big hot round yellow thing on the box of Raisin Bran. A good taekwondo practice was the icing the delicious sugary carby cake that I’ll soon be avoiding on the last leg to Black Belt.
Tuesday night is not a class night for me, but I asked to come in and use the space to work out since I am testing for bo dan at the end of the week and had missed three classes due to my vacation. I was a little worried about how I’d hold up in TKD after a week off, but it went surprisingly well.
It was white belt class night, so my instructor suggested that I stay in the back and help two other test preppers with their forms and then work on my own stuff. The best way to learn something is by experiencing it, and teaching and coaching others only adds to your understanding. As I said in a previous post, I’m not that great at sparring, but I caught on to refereeing a lot faster than I thought I would. Some of it involves common sense things like firmly telling a bossy seven-year-old that she was NOT allowed to do head contact even though she swore that last week the instructor said it was OK. Other times it requires a sharper eye to provide technique tips and guidance. So I took the opportunity to see what new things I could learn by helping others learn and practice.
The two other students testing were a young boy whose sixty-seven year old grandfather is a black belt in our advanced class. The other was a tall, lanky twenty-something orange belt who is being skipped to green belt. I had tested from white to green belt two months after I started back in taekwondo so I immediately felt a mix of empathy for the stress he was under and admiration for his advancement. I walked them through palgwes il-jang and yi-jang, first doing it with them by my count to make sure they knew the sequence. Then I watched them flow through it by their own count. I challenged myself to provide useful feedback to them the way my instructor does whenever he leads us through forms. What good is having them do it over and over if the details of the technique aren’t correct?
The boy made the typical mistakes young children do—rushing through it without breathing, loose fists, weak front stances. The adult orange belt looked pretty darn good—his breath was controlled and purposeful, he landed his stances before performing a strike or block, his eyes were focused, and his posture was strong. I reminded him to make his front stances lower and more solid since weak stances stand out more on tall guys (not to mention throw them off balance) and helped him correct a front snap kick that was just flopping forward rather than being snapped back and landed correctly. His mind was getting wrapped up in all the things you have to do at once, which is overwhelming to a beginner. If he was making any particular mistake it was what all adult students do (yours truly included)—worry too much!
Then I got a taste of my own medicine when Grandmaster meticulously walked me through palgwe pal-jang, picking apart each movement until I did it to his satisfaction. “You need to fix your side kick,” he said, glaring at me. His tone suggested that it was not just a friendly reminder. When I performed it the final time I tried to be mindful of everything I saw the other students do plus the things I needed to correct—breath control, strong striking while staying loose and relaxed, proper foot placement, and of course locking and then properly pulling back that damn side kick before landing. And to think side kick was my favorite kick when I was a child. UGH!
I ended my workout by practicing my breaking technique with Grandmaster and my instructor. I started with an elbow break, one of my favorite hand techniques, and then followed it with a jump front snap-kick which oddly enough is a lot better on the left side. My “finale” was a solid spin kick, my old nemesis. It felt cathartic to not only smack the crap out of a practice pad but to also prove to myself that I could do something that once seemed impossible. (But pride cometh before the fall. Funny story about spin kick to come later) Maybe this was all some kind of spring awakening after a mental hibernation. My favorite reader joaquindfw (yes, he’s my favorite and he knows why) shared a comforting thought from Nietzsche: “just as we pass through physical stages in life, we pass through various stages of consciousness. We are constantly growing.” Maybe March was a deliberate and needed period of suffering to work through some old habits, resistance, and mental blocks so I could progress along my journey. Either way, it’s nice to feel like my old (or new, really) self again and get back to life.