The Poomsae Series is back! I wasn’t sure I’d be able to write individual posts for the Taeguk forms I’ve been learning (I was trained in Palgwe at my old dojang), but they’ve grown on me in the past few weeks. I’ve started to appreciate the individual experiences of learning and practicing the forms rather than just memorizing movements as part of a set. Now that I’ve gotten to know the forms better I can experience them and express them on a deeper level.
This past week I learned my final form of the Taeguk collection (gotta catch em all!) and the thirtieth in my overall repertoire. On Tuesday one of my instructors walked me and another much younger black belt through Taeguk Yuk Jang (6), and to be honest, we were all a little turned around. This form amps up the challenge to anyone trying to learn or re-learn it, even for those familiar with the Taeguk patterns.
As I did with other Taeguk forms, I first tried teaching myself Taeguk 6 with YouTube videos and reassuring myself that I’d get detailed corrections from my instructors in class.
Learning this form via video was a big NOPE for me. I knew IMMEDIATELY that I would need step-by-step help with Taeguk Yuk Jang. After unsuccessfully trying to follow what I saw in the video, I closed my YouTube app and planned on asking an instructor to teach me that form the first opportunity I had.
I like this form for its sheer weirdness. The lower level Taeguks seem to build on each other, and then right when you get comfortable there’s this funky form that blows everything up. This short but complicated form yanks you out of the trusty floor pattern and throws in weird blocks, roundhouse kicks (which are seen nowhere else in Taeguk or anywhere in Palgwe), and funny directional changes…kinda like some of the higher level black belt forms. And then, as if it were a dream, you get back to a sense of normalcy with Taeguks 7 and 8.
You literally pause in the middle of this form. It’s like you’re stopping, assessing where you are in space, and then figuring you might as well get back into the weirdness and work your way through to the end, first retracing your steps and then changing your path entirely. Taeguk Yuk Jang is not quite the mindf*ck that Keumgang was the very first time I was taught that form, but it is a delightfully frustrating puzzle of a poomsae.
Like Palgwe Yuk Jang, its Taeguk sister denotes a change in level and responsibility for the taekwondo student. After this form you are no longer beginner or intermediate. You are advanced, and that comes with a new set of expectations. Things are getting REAL. Red belt, like Ned Stark’s proverbial Winter, is coming.
When I did my meditation on the form Palgwe Yuk Jang I had the same experience learning it as I did more recently with the Taeguk form: everything seemed comfortable and normal in the beginning, and then BAM! Part of life is acknowledging that things change, and I am changed by experiencing this form. Both Yuk Jang forms have pauses, changes, and offer new perspectives.
I offer the same sentiment about Taeguk Yuk Jang that I did for Palgwe Yuk Jang:
“A pause can be a moment of decision and a precursor to change. Those frozen moments in time, whether it’s a second or a year, allow us to examine the facts, listen to our deeper intuition, and choose the next step, whether it is continuing on the same path or foraging a new one entirely.”