Taeguk 6 – Can We Pause For a Change Revisited (The Poomsae Series Part 15)

Girl with a choice near the forked road

The Poomsae Series is back! I wasn’t sure I’d be able to write individual posts for the Taeguk forms I’ve been learning (I was trained in Palgwe at my old dojang), but they’ve grown on me in the past few weeks. I’ve started to appreciate the individual experiences of learning and practicing the forms rather than just memorizing movements as part of a set. Now that I’ve gotten to know the forms better I can experience them and express them on a deeper level.

This past week I learned my final form of the Taeguk collection (gotta catch em all!) and the thirtieth in my overall repertoire. On Tuesday one of my instructors walked me and another much younger black belt through Taeguk Yuk Jang (6), and to be honest, we were all a little turned around. This form amps up the challenge to anyone trying to learn or re-learn it, even for those familiar with the Taeguk patterns.

As I did with other Taeguk forms, I first tried teaching myself Taeguk 6 with YouTube videos and reassuring myself that I’d get detailed corrections from my instructors in class.

Learning this form via video was a big NOPE for me. I knew IMMEDIATELY that I would need step-by-step help with Taeguk Yuk Jang. After unsuccessfully trying to follow what I saw in the video, I closed my YouTube app and planned on asking an instructor to teach me that form the first opportunity I had.

I like this form for its sheer weirdness. The lower level Taeguks seem to build on each other, and then right when you get comfortable there’s this funky form that blows everything up. This short but complicated form yanks you out of the trusty floor pattern and throws in weird blocks, roundhouse kicks (which are seen nowhere else in Taeguk or anywhere in Palgwe), and funny directional changes…kinda like some of the higher level black belt forms. And then, as if it were a dream, you get back to a sense of normalcy with Taeguks 7 and 8.

You literally pause in the middle of this form. It’s like you’re stopping, assessing where you are in space, and then figuring you might as well get back into the weirdness and work your way through to the end, first retracing your steps and then changing your path entirely. Taeguk Yuk Jang is not quite the mindf*ck that Keumgang was the very first time I was taught that form, but it is a delightfully frustrating puzzle of a poomsae.

Like Palgwe Yuk Jang, its Taeguk sister denotes a change in level and responsibility for the taekwondo student. After this form you are no longer beginner or intermediate. You are advanced, and that comes with a new set of expectations. Things are getting REAL. Red belt, like Ned Stark’s proverbial Winter, is coming.

When I did my meditation on the form Palgwe Yuk Jang I had the same experience learning it as I did more recently with the Taeguk form: everything seemed comfortable and normal in the beginning, and then BAM! Part of life is acknowledging that things change, and I am changed by experiencing this form. Both Yuk Jang forms have pauses, changes, and offer new perspectives.

I offer the same sentiment about Taeguk Yuk Jang that I did for Palgwe Yuk Jang:
“A pause can be a moment of decision and a precursor to change. Those frozen moments in time, whether it’s a second or a year, allow us to examine the facts, listen to our deeper intuition, and choose the next step, whether it is continuing on the same path or foraging a new one entirely.”

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I’m Learning Taeguk Forms

conformity

It’s begun. I am learning Taeguk forms.

A little bit of history about poomsae (forms): The preference for Taeguk rose alongside the focus of taekwondo turning to sport taekwondo, or Olympic style sparring. Stances are higher and shorter, and the movements are much simpler than the Palgwe forms. I also think some practitioners just didn’t want to associate with the similarity Palgwe forms had with karate and in turn the unpleasant history Korea shared with Japan. But what do I know.

I don’t like Taeguk forms, but it seems like the rest of the taekwondo world does, and if I want to continue my career as a black belt, instructor, and potential poomsae competitor I’ll have to put them into my repertoire at some point. I mean, white zinfandel is loved by lots of people for some reason even though it’s terrible. But it’s popular enough that I have to deign to walk by it in every grocery or liquor store. White zinfandel is cheap, common, but does the job if you need to get buzzed.

I need some more poomsae stimulation. The 22 forms I know just aren’t enough to get me high (We have an eight-pack of keebons my grandmaster created in case ya’ll are trying to count. Plus four black belt forms and the outliers “Koryo One” and Nopei). I’m a poomsae-aholic. I need that buzzzzzzz of a fresh form. Guess I might as well open up my mind and learn a whole new set.

The business of taekwondo is becoming more and more like a corporation. There are more hoops that coaches, referees, school owners, and instructors have to jump through. If USAT or Kukkiwon decides everyone is going to dye their hair purple and kick while standing upside down, then by God we’d better all do it, and for a fee we have the privilege to be certified in purple hair and upside down kicking. I know the intention is consistency, and we all appreciate that, but when does too much control in the name of consistency impeded individual talent?

And wouldn’t you know, I’m experiencing some of this encouragement to conform in other areas of my life. The department I work in has greatly widened its reach across my large company, and understandably, the powers that be are trying to systemize processes and standardize services. My little team of experienced and creative consultants can no longer make completely autonomous decisions in our little princedoms. Services we deliver must be approved, sanctified, and tracked. It makes sense, but sometimes the red tape can blind us to the immediate and unique needs of our clients.

On the flip side, I do appreciate a more structured approach to what my team does. I don’t feel pressured to say yes to every request, and I don’t have to create everything from scratch. I get what I bargain for by working for a large organization: a nice salary with great benefits, and I have to play along with the decisions that are made. I can live with that.

I’m pretty open about my Palgwe snobbery. #sorrynotsorry. Palgwe forms are intricate, beautiful, strong, and pretty badass when it comes to self-defense. I think Taeguk forms, on the other hand, are boring and unnecessarily illogical. Why yes, of course when I turn to face an opponent who’s coming at me from my blind left side I’m going to block with my BACK HAND while leaving my torso open even though my little right arm is too short to effectively reach whatever kick or hand strike is coming towards me. Oh my goodness it makes perfect sense. And I feel so stable in this walking stance, which one of my masters used to call “broken knee stance.” Why, I feel like I could kick or jump out of the way or…wait, no I don’t.

My students still do Palgwe forms at tournaments. Sometimes they win gold because technique speaks for itself no matter what style of form they’re doing (I’ve seen plenty of crappy snap kicks in both styles), and other times they are at the mercy and bias of judges who are openly anti-Palgwe. I’ve been told by other instructors, judges, and referees that we need to change our ways at our dojang if we want to have any chance of doing well at tournaments. For now though it seems we’ll be that rogue school sticking with Palgwe because (1) tradition, duh (2) they’re excellent for teaching self-defense (3) my Korean grandmaster has over 60 years of experience, so I’m good with his direction and (4) Palgwes look really cool, and I feel like a gangster when I go all out with them.

Okay, okay, I’ll give you this: I do find myself standing taller when I spar than when I’m doing other taekwondo-y stuff (but not with completely straight legs). And during sparring I do end up doing some weird instinctual blocking based on whatever is flying at my body or my head. But look, I’m 5’3” and have zero interest in nor the build for sport taekwondo. I’m looking for practical ways to beat the crap out of someone, and Palgwes provide a good opportunity to practice that. And when I’ve taught forms I’ve been able to make references between those forms and sparring on many occasions. But that’s just me, that’s just my style. I like the way I do things, and I’m good at it.

Same thing at work. Sometimes I go rogue. I can’t wait on my “USAT” to make a long drawn-out decision when I have “students” who need my help right now. I have to rely on what I know, what my strengths are, and what I think is best for the people I serve. But, as with the politicized realm of taekwondo, I have adapt to the balance of what I can do as a creative individual and what the needs and direction are of my organization. I have to rely on others rather than being completely independent, and I have to adjust to new processes. My ultimate goal is helping people through the work I do and making as much money as I can to support myself (hey, I’m an independent woman, and that involves looking out for number One)…so I can play nice. The work I do is not life-saving (I leave my clients to do that) so it’s not worth worrying about.

I can still be me, but I have to also be very good at playing the political professional game and drinking the “company white zinfandel.” (And as a side note, “drinking the Kool-Aid” is such a horrible, morbid, and overused reference. Real people died. Let’s lose that expression and stick with white zinfandel.) I’m looking at it as a learning experience, an interesting challenge, and something I might as well get good at if I want to keep up with the changing times.

So, Taeguk it is…in my living room…by myself.